Iparon

Methodical Thinking Through Drawing

About the Method


From my observations, children "would like to succeed in what they choose for themselves." Especially at early ages, they are not trying to express their inner self or be original. They would like to have the tools to understand and activate the world around them in a meaningful way.


Later I found that this observation was accurate to every person I met.


I took my observation practice and created a method that teaches practical tools in a fun, active, convenient, and surprisingly quick way.


With adjustments to the exercises and the duration of the classes, the Iparon method works well with all ages.


The Iparon method is useful as long as the students have hand-eye coordination and that they can remember what they drew a moment ago. That means that toddlers might not be suitable and also people with dementia. But every person that can draw a recognizable shape that they can relate to themselves could befit from it.


The method also works very well for people with outstanding drawing skills. And from different art disciplines.


As a teacher, my job is to relieve the students from hindering responsibilities.


Hindering responsibilities are emotional issues that appear even before the student lays the first line on the paper.

In Iparon, I use proven methods to help students stride between many known problems that hinder creation.

In practice, I support the students to go slow, find out what is essential for them to solve, and build tools by themself to solve particular solvable problems.


I have many exercises that train the ability to observe, evaluate and make new decisions.


The students are always on the edge of their abilities in the class. That means they are in a comfortable area but in a direction to less comfortable areas.

The activity comes with fun, action, and satisfaction. The class feels like a gentle mind-sports activity with tea drinking on the side.


The main exercises fall under: Go slower, Go quicker, Shift your focus, and Micro-practice.

Stepping slowly and in small doses outside from the comfort zone allows spotting things that were invisible before and, therefore, will open the mind to new solutions.


After practicing the Iparon method, the students will be able to use their acquired tools and understanding in different areas of their lives.


And also know how to draw better.


Offered courses are:

  1. One meeting of around 3 hours for up to five students

  2. Three meetings of around 2 hours each for up to five students

  3. Eight meetings of around 2 hours each for up to five students

  4. Long-term course. This option is still in development. Contact me if you want to be part of the long-term course development.


Example of the Technique.


In a ninety-minute class, a student who thought he could not draw mange to take the first step, draw a flower, and finish the class drawing a flower that he was highly proud of. Every step, he got better. But more importantly, the student was able to explain to himself and me what decision he took in each step.


The exercise was to was draw something simple, like a flower. Then to observe the drawing and evaluate what can be easily improved. After seeing the option and deciding on one, draw another drawing while concentrating on only one aspect. After the first drawing, the student wanted to make paddles "nicer". From the 2nd to the 3rd, he wished to give more body to the stem. From the 3rd to the 4th, he worked on drawing a healthier stem. The last step was to make the flower more three dimensional. He used the knowledge from another exercise given that class and implemented it for the flower's last version.

At the end of the class, he was happy, proud, and surprised by his achievement.


Flower 1

Flower 2

Flower 3

Flower 4

Flower 5

Flower - Supporting exercises

The Iparon method is mainly inspired by:


  1. Zen in the Art of Archery by Eugen Herrigel

  2. The Book of Tao, Tau Te Ching by Laozi translated to Hebrew from English by Nissim Amon

  3. The Artist's Way by Julia Cameron

  4. Art & Fear: Observations On the Perils (and Rewards) of Artmaking by David Bayles & Ted Arnold

  5. The one straw revolution, Natural farming by Masanobu Fukuoka

  6. Working as kitchen hand in Kindervatter

  7. Studying with Dorit Keder, Yoav Efrati, Avital Shmaryaho Israeli and many more great teachers

  8. Teaching the purple group B from A.D.Gordon Herzeliya year 2017

  9. Studying Contact Improvisation led with Marielle Gerke

  10. The processes of the Aboriginal Australians art making

  11. Spending a lot of time paying attention and observing

  12. Teaching in various frames and forms

  13. And many more.